Current Practice

Coporeality - the ability to perceive, feel, and conceive with the body, is central to my artistic and curatorial inquiry. To construct experiences for new ways of perception, I regularly undergo intensives that demand repetition such as bodywork, diving, academia, physical theatre, medicine and more that allow her to explore the research on herself. All of which feed my examination of how bodies and the hideousness of movement produce meaning, counter-normative spaces, relations, cultures, and knowledge. In 2018 I founded Stage Rabbit to accumulate and disseminate gestures of and at; encounters – human, hybrid, and multi-species, belonging and disconnection – in cultures, cities, ideologies, and diasporas, sex and sexual expression – its orientations and constructed spatialities, and networks – in philosophy, education, and exhibition design.

Institutionally, I has collaborated in curatorial, programming, artistic, and production capacities with Instytut B61's (POL), Shoonya Centre for Art and Somatic Practices (IN), G5A Foundation for Contemporary Culture and its community-based initiative - cityLab (IN), ARIAS, Amsterdam (NL), IMPAKT [Centre for Media Culture], The Story Of Foundation (IN), We Learn We Grow, Kochin Muziris Bienalle (IN), SPHERE, The Lisbon Consortium (PT), and Antecâmara (PT). She is also a board member for SPHERE, and editor for the Diffractions Journal (PT).

I am currently curating Down The Rabbit Hole with Stage Rabbit for the Wrong Biennale and leading Sobremesa - a small-scale Creative Europe grant while also continuing to research in the field of Curiosity Studies with Universidade Católica Portuguesa.